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Always avoid using an iron to embroidery. It flattens the work, and is apt to injure the colour. For embroidery on linen, unless very badly done, it will be found quite sufficient to stretch the work as tightly as possible with white tacks or drawing-pins on a clean board, and damp it evenly with a sponge. Leave it until quite dry, and then unfasten it, and, if necessary, comb out the fringe. If it is new work, it should not be fringed until after it has been stretched. For crewel work on cloth or serge, it is sometimes necessary to rub a little shoemaker’s paste on to the back of the embroidery, while it is tightly stretched. When pasting can be avoided, it is always better to do without it; but it serves to steady the work in some cases, and makes it wear better. Unless it is absolutely necessary, it is better not to paste the back of screen panels, whatever may be the materials on which they are worked; but more especially satin or velvet, as it interferes with the straining of the work by the cabinet-maker.
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Embroidery is the handicraft of decorating fabric and/or materials with designs stitched with thread using a needle. Embroidery may also use other materials such as metal strips, pearls, beads, quills, and sequins. Today sewing machines can be used to create machine embroidery. Needlework is is a broad term for the handicrafts of decorative sewing and textile arts. Anything that uses a needle for construction can be called needlework. The definition may expand to include related textile crafts such as a crochet hook or tatting shuttles.
Find information on Quilting, Applique, Embroidery, Crochet, Knitting, Tatting, Lucet, Braiding and Tassel making and Tapestry